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Jesse James and Modern Fame: Movie Explores The Assassination of Jesse James By His Own Notoriety

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He had two incompletely healed bullet holes in his chest and another in his thigh. He was missing the nub of his left middle finger and was cautious lest this mutilation be seen. He also had a condition that was referred to as granulated eyelids and it caused him to blink more than usual, as if he found creation slightly more than he could accept.”

So declares Hugh Ross, narrator of the unwieldy-titled The Assassination of Jesse James by the Coward Robert Ford, in the film’s opening scenes. He’s talking about the titular outlaw, and goes on to share a laundry list of the man’s supposed superstitions: that incense is made from the bones of saints, that leather continues to grow unless dyed, and that his own bio electricity could stun a lake-frog.

It’s a fascinating subversion of the ‘show, don’t tell rule. Ross paints a colourful portrait of Jesse – we aren’t exactly endeared to him, but we are fascinated.

And then Ross gradually moves from fact-apparent to conjecture and gossip…

“Rooms seemed hotter when he was in them. Rains fell straighter. Clocks slowed. Sounds were amplified. His enemies would not have been much surprised if he produced horned owls from beer bottles or made candles out of his fingers.”

What’s the meaning of this?

Our narrator is unreliable – at least, within the context of the film. Much of the voice over is taken from Ron Hansen’s identically-titled, creepily-accurate novel; historically, Jesse did have those medical conditions and disfigurements.

But he doesn’t in the film. We don’t see his bullet wounds. Jess never blinks – he just glares. And his mutilated middle-finger is only shown once; we get a better idea of how it looks from Robert Ford’s creepy imitation.

Jesse James is a film about fame. Having it and wanting it. Dominik uses the text of the novel in a fascinatingly anachronistic way – deprived of proof, those long paragraphs about Jesse become the equivalent of a TMZ column devoted to speculating whether a celebrity is gay or not. The film was released in 2007 – around the same time that Twitter started to take off – and Ross’s narration acts as something of a constantly-updating feed of the drama in Jesse’s life. ‘Keeping up with the Jameses’, if you will.

“Alexander Franklin James would be in Baltimore when he would read of the assassination of Jesse James. He had spurned his younger brother for being peculiar and temperamental, but once he perceived that he would never see Jesse again, Frank would be wrought up, perplexed, despondent.”

It’s Gawker-lit; gossip couched in flowery words.

Jesse James examines another aspect of fame, and that’s how goddamn exhausting it is. Jess seems exhausted, beset on all sides by treacherous gang members and ruthless Pinkerton agents. He suffers from congestive illnesses and deep depressions and hallucinations. It’s something we see in anybody who has spent too much time in the spotlight.